| Thumb | Song Heading | Singer | Composer | Lyricist | Actor | Film (Year) | Category |
|---|---|---|---|---|---|---|---|
 | Dil Ka Dard Nirala 4.65 - 17 votes | Mohammed Rafi | Sachin Dev Burman | Shakeel Badayuni | Kaise Kahoon (1964) |
Video of this song from youtube
Lyrics of Dil Ka Dard Nirala - दिल का दर्द निराला
dil kaa dard nirala dil kaa dard nirala
kisko sunau koi nahi hai aaj samjhne wala
kisko sunau koi nahi hai aaj samjhne wala
dil ka dard nirala dil ka dard nirala
khilte huye ek phul ko jaise
apni mahak malum naa ho
jalte huye deepak ko jaise
apni chamak malum na ho
khilte huye ek phul ko jaise
apni mahak malum na ho
jalte huye dipak ko jaise
apni chamak malum na ho
dil me yu hi tere pyar ka tha ek anjana ujiyala
dil ka dard nirala dil ka dard nirala
mai hu sanam apradhi tera
maut bhi hai manjur mujhe
par wo saja mai sah na sakunga
kar de jo tujhse dur mujhe
mai hu sanam apradhi tera
maut bhi hai manjur mujhe
par wo saja mai sah naa sakunga
kar de jo tujhse dur mujhe
dil se bhulade meri khataye tod degam kaa jala
dil ka dard nirala dil kaa dard nirala
bikhre huye ho tar to kaise dil ka sunaye saaj koi
dur ho man ka mit to kaise git bane aawaj koi
bikhre huye ho tar to kaise dil ka sunaye saaj koi
dur ho man ka meet to kaise geet bane aawaj koi
aaja tujh bin raat hai suni dil ka rang hai kala
dil ka dard nirala dil kaa dard nirala
kisko sunau koyi nahi hai aaj samjhne wala
kisko sunau koi nahi hai aaj samjhne wala
kisko sunau koi nahi hai aaj samjhne wala
dil ka dard nirala dil ka dard nirala
khilte huye ek phul ko jaise
apni mahak malum naa ho
jalte huye deepak ko jaise
apni chamak malum na ho
khilte huye ek phul ko jaise
apni mahak malum na ho
jalte huye dipak ko jaise
apni chamak malum na ho
dil me yu hi tere pyar ka tha ek anjana ujiyala
dil ka dard nirala dil ka dard nirala
mai hu sanam apradhi tera
maut bhi hai manjur mujhe
par wo saja mai sah na sakunga
kar de jo tujhse dur mujhe
mai hu sanam apradhi tera
maut bhi hai manjur mujhe
par wo saja mai sah naa sakunga
kar de jo tujhse dur mujhe
dil se bhulade meri khataye tod degam kaa jala
dil ka dard nirala dil kaa dard nirala
bikhre huye ho tar to kaise dil ka sunaye saaj koi
dur ho man ka mit to kaise git bane aawaj koi
bikhre huye ho tar to kaise dil ka sunaye saaj koi
dur ho man ka meet to kaise geet bane aawaj koi
aaja tujh bin raat hai suni dil ka rang hai kala
dil ka dard nirala dil kaa dard nirala
kisko sunau koyi nahi hai aaj samjhne wala
Comments on song "Dil Ka Dard Nirala"
suresh verma on Sunday, August 29, 2010
It was indeed astonishing how Maestro S D Burman could create such
melodious sad songs for Mohd. Rafi, rarely needing to take him to higher
notes. Thus it was no surprise to listen to Anandji Bhai conceding that it
was only Dada Burman who made the best use of Rafi Saheb, which may come as
a shock for many Naushad, Madan Mohan, Roshan, Shankar Jaikishan, Laxmikant
Pyarelal or even Kalyanji Anandji fans. But Dada's use of Rafi Saheb's
voice was completely different compared to other composers.
It was indeed astonishing how Maestro S D Burman could create such
melodious sad songs for Mohd. Rafi, rarely needing to take him to higher
notes. Thus it was no surprise to listen to Anandji Bhai conceding that it
was only Dada Burman who made the best use of Rafi Saheb, which may come as
a shock for many Naushad, Madan Mohan, Roshan, Shankar Jaikishan, Laxmikant
Pyarelal or even Kalyanji Anandji fans. But Dada's use of Rafi Saheb's
voice was completely different compared to other composers.
Rajiv Vijayakar on Monday, June 25, 2012
You have not even mentioned OP and Ravi. SD brought Rafi out of the Punjabi
and high-pitched songs of the '50s and the litanies of Naushad. This song
is similar to many of Chitragupta and the softer songs of OP. Rafi's most
versatile range was explored best by LP, followed by OP and SJ. SD and
Naushad ranked fourth and Madan Mohan ranked nowhere.
You have not even mentioned OP and Ravi. SD brought Rafi out of the Punjabi
and high-pitched songs of the '50s and the litanies of Naushad. This song
is similar to many of Chitragupta and the softer songs of OP. Rafi's most
versatile range was explored best by LP, followed by OP and SJ. SD and
Naushad ranked fourth and Madan Mohan ranked nowhere.
Anindya Roychowdhury on Monday, October 29, 2012
yawn...here we go..the incorrigible quack journalist shoving his oar in,
everywhere...LP *has* to be the best in *every* conceivable category of
music. If "LP used Rafi the best" is, at best, a highly subjective and
debatable statement, "Madan Mohan is nowhere" is a laughable assertion. Who
says/decides on this ridiculous ranking? Is there some quantifiable,
mathematical formula?
yawn...here we go..the incorrigible quack journalist shoving his oar in,
everywhere...LP *has* to be the best in *every* conceivable category of
music. If "LP used Rafi the best" is, at best, a highly subjective and
debatable statement, "Madan Mohan is nowhere" is a laughable assertion. Who
says/decides on this ridiculous ranking? Is there some quantifiable,
mathematical formula?
joshuadiesel on Sunday, May 08, 2011
@vermasureshc
well that is true but dada burman and everybody else were blessed to have a rafi with his god like voice and his classical background mohd rafi was the best will be the best forever and ever
@vermasureshc
well that is true but dada burman and everybody else were blessed to have a rafi with his god like voice and his classical background mohd rafi was the best will be the best forever and ever
| Movie | Film Cast | Singer | Lyricist | Composer | Director | Producer | External Links |
|---|---|---|---|---|---|---|---|
 Kaise Kahoon (1964) |
Biswajeet, Nanda, Rehman, Om Parkesh, Naaz, Nimabalkar, Manmohan, Geetanjali, Asit Sen, Durga Khote | Asha Bhosle, Lata Mangeshkar, Mohammed Rafi, Suman Kalyanpur | Shakeel Badayuni | S D Burman | Atma Ram | Kaise Kahoon at IMDB |
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I have read with equal great interest the comments by Anindya Roychowdhury
and Anirudha Bhattacharjee in response to the comments by Rajiv Vijayakar
on one side, and, comments by suresh verma on the other side. There is no
need to quantify and assign ranking to these geniuses and legends of golden
era. It is sufficient if one listens the magical and wonderful melody
created by the geniuses and appreciate the combined creativity (of
lyricist, music director, and, singer). For me, this song is unique,
different, and, outstanding, besides being beautiful. I appreciate your
best endeavours and initiatives in sharing rare gems. Video presentation is
added attraction. Thank you.