kahe jhum-jhum raat ye suhaani
kahe jhum-jhum raat ye suhaani
piyaa haule se chhedo dubaaraa
vahi kal ki rasili kahaani
kahe jhum-jhum raat ye suhani
piyaa haule se chhedo dubaaraa
vahi kal ki rasili kahaani
kahe jhum-jhum raat ye suhani
sun ke jise dil meraa dhadakaa
sun ke jise dil meraa dhadakaa
laaj ke sar se aanchal sarakaa
raat ne aisaa jaadu pheraa
aur hi nikalaa rag sahar kaa
kahe jhum-jhum raat ye suhaani
piyaa haule se chhedo dubaaraa
vahi kal ki rasili kahaani
kahe jhum-jhum raat ye suhani
masti bhari ye khaamoshi
masti bhari ye khaamoshi
chup hun khadi dekho mai khoyi si
dekh rahi hun mai ek sapanaa
kuchh jaagi si kuchh soyi si
kahe jhum-jhum raat ye suhaani
piyaa haule se chhedo dubaaraa
vahi kal ki rasili kahaani
kahe jhum-jhum raat ye suhani
tan bhi tumhaaraa man bhi tumhaaraa
tan bhi tumhaaraa man bhi tumhaaraa
tumse hi baalam jag ujiyaaraa
rom-rom meraa aaj manaae
chhute kabhi na saath tumhaaraa
kahe jhum-jhum raat ye suhaani
piyaa haule se chhedo dubaaraa
vahi kal ki rasili kahaani
kahe jhum-jhum raat ye suhani

Thanks creditwheredue. It is interesting what you have noted. In fact the
tempo or speed of the audio has to be accurately and exactly matched with
the speed of the video to an imperceptible accuracy of microseconds
otherwise "perfect synchronization", as you have called it will not be
possible to achieve, and video will extend/prolong beyond the audio.
However, the dynamic rhythm of a modern keyboard with several instruments
playing together gives the psychological feeling of a faster tempo.