| Thumb | Song Heading | Singer | Composer | Lyricist | Actor | Film (Year) | Category |
|---|---|---|---|---|---|---|---|
 | Na Chedo Kal Ke Afsane 4.53 - 32 votes | Lata Mangeshkar | Shankar Jaikishan | Shailendra | Nargis, Pradeep Kumar | Raat Aur Din (1967) |
Video of this song from youtube
Lyrics of Na Chedo Kal Ke Afsane - ना छेदों कल के अफ़साने
na chedo kal ke afsane, karo is raat ki bate
chalakane do ye paimaane, karo is raat ki baate
na chedo kal ke afsane
na phir ye raat aayegi, na dil uchalega sine me
na phir ye raat aayegi, na dil uchalega sine me
na hogi rang be mehphil, na aisa rang jine me
milenge kab ye diwane, karo is raat ki baate
na chedo kal ke afsane
har ek din kal ka jhagada hai,har ek din kal ka hai rona
har ek din kal ka jhagada hai,har ek din kal ka hai rona
ye ghadiyan raat ki tum bhi, na auro ki tarah khona
jo kal hoga khuda jane, karo is raat ki baate
na chedo kal ke afsane
karo o baat jisase boz dil ka dur ho jaye
karo o baat jisase boz dil ka dur ho jaye
karo o jikra jisase bekasi kabhur ho jaye
mile hai dil to behlane, karo is raat ki baate
na chedo kal ke afsane, karo is raat ki bate
na chedo kal ke afsane
chalakane do ye paimaane, karo is raat ki baate
na chedo kal ke afsane
na phir ye raat aayegi, na dil uchalega sine me
na phir ye raat aayegi, na dil uchalega sine me
na hogi rang be mehphil, na aisa rang jine me
milenge kab ye diwane, karo is raat ki baate
na chedo kal ke afsane
har ek din kal ka jhagada hai,har ek din kal ka hai rona
har ek din kal ka jhagada hai,har ek din kal ka hai rona
ye ghadiyan raat ki tum bhi, na auro ki tarah khona
jo kal hoga khuda jane, karo is raat ki baate
na chedo kal ke afsane
karo o baat jisase boz dil ka dur ho jaye
karo o baat jisase boz dil ka dur ho jaye
karo o jikra jisase bekasi kabhur ho jaye
mile hai dil to behlane, karo is raat ki baate
na chedo kal ke afsane, karo is raat ki bate
na chedo kal ke afsane
Comments on song "Na Chedo Kal Ke Afsane"
Harjap Aujla on Thursday, October 10, 2013
This song gives glimpses of the sublime music of the fifties in the music
composed during the sixties.
This song gives glimpses of the sublime music of the fifties in the music
composed during the sixties.
Surjeet Singh on Thursday, December 02, 2010
I surprise how u search and upload these type of songs very laborious& entertaining job done by u. this is also called the social service for worldwide society. thank you so much for unique upload mam yuan.
I surprise how u search and upload these type of songs very laborious& entertaining job done by u. this is also called the social service for worldwide society. thank you so much for unique upload mam yuan.
S Chandrasekar on Thursday, August 16, 2012
'न छेड़ो कल के अफसाने, करो इस रात की बातेँ'! Ajay ji there is some oversight
while posting the title, which pl see. Regards.
'न छेड़ो कल के अफसाने, करो इस रात की बातेँ'! Ajay ji there is some oversight
while posting the title, which pl see. Regards.
Sandhya Chugh on Friday, October 03, 2014
Heart rendering melody by Lataji equally good composition by SJ. Want to
listen again and again. Thanks for uploading it and keep its audio quality
intact.
.
Heart rendering melody by Lataji equally good composition by SJ. Want to
listen again and again. Thanks for uploading it and keep its audio quality
intact.
.
| Movie | Film Cast | Singer | Lyricist | Composer | Director | Producer | External Links | Video Links |
|---|---|---|---|---|---|---|---|---|
 Raat Aur Din (1967) |
Pradeep Kumar, Nargis Dutt, Feroz Khan, Anoop Kumar, Harindranath Chattopadhyay, Anwar Hussan, Naaz, K N Singh, Kumar, Leela Mishra, Laxmi Chhaya, Anwar, Sulochana | Lata Mangeshkar, Mohammed Rafi, Manna Dey, Mukesh, Bhupinder Singh | Kamlesh, Shailendra, Hasrat Jaipuri | Shankar Jaikishan | Satyen Bose | Raat Aur Din at IMDB Raat Aur Din at Wikipedia | Raat Aur Din at YouTube |
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The best song ever composed on drunken state as there is not even a single
stereo-type hiccup used to denote drunken state. The effect is brought
about only by stretching utterances of words. A splendid composition by SJ
and equally powerful rendition by great Lataji.