piya re piya re, piya re piya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
naina ne tharee kaisa jadoo kiya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
piya re piya re, piya re piya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
thare bina mohey chain na aave
dhuk dhuk dhuk mhaara jee ghabrave
bole basuriyaa sunle saawariya
bole basuriyaa sunle saawariya
thare bina mohey kuch nahi bahve
piya re piya re, piya re piya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
naina ne tharee kaisa jadoo kiya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
preet ki kaliyan kab ki rakhiyan
yahan wahan tuk tuk main te tahkiyan
sanjh savere dekhun lage
sanjh savere dekhun lage
tharee suratiya maree ankhiyan
piya re piya re, piya re piya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
naina ne thare kaisa jadoo kiya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
piya re piya re, piya re piya re
thare bina laage nahee mhaara jiya re
ho o o thare bina laage nahee mhaara jiya re
the main difference between indian/qwaali gharana music and western music
is that indian/qwaali music is mainly improvisation, there's very little
predetermined music; western music is mainly composed and strictly
followed. rahat looked very much uncomfortable because the freedom of
improvisation was almost lost... background musicians almost forced him to
sing along with them...