puchho na hame ham unke liye
kya kya nazrane laaye hai
dene ko mubarakbaad unhe
aankho me ye aansu aaye hai
puchho na hame ham unke liye
kya kya nazrane laaye hai
dene ko mubarakbaad unhe
aankho me ye aansu aaye hai
puchho na hame ham unke liye
jivan ki suhaani raaho me unko ek jivan mit mila
jivan ki suhaani raaho me unko ek jivan mit mila
aur hansati hui is mahfil se hamko birha ka geet mila
kaliyo ki tarah, muskaaye the ham
kaliyo ki tarah muskaaye the ham
phulo ki tarah murjhaaye hai
puchho na hame ham unke liye
kya kya nazrane laaye hai
dene ko mubarakbaad unhe
aankho me ye aansu aaye hai
puchho na hame ham unke liye
tufaan hazaaro saath liye jivan ki dhara bahti hai
tufaan hazaaro saath liye jivan ki dhara bahti hai
aur dekhke uski maujo ko takdir ye hanskar kahti hai
saahil ke liye jo, tadpe the
saahil ke liye jo tadpe the
wah aaj bhanvar me aaye hai
puchho na hame ham unke liye
kya kya nazrane laaye hai
dene ko mubarakbaad unhe
aankho me ye aansu aaye hai
puchho na hame ham unke liye
Thanks, Madhus Sudhan for putting this precious clip on. What can I say
that hasn't been said by others? In sheer versatility-- the range of
musical genres-- AB has had no parallel among female singers. OPN created
not just thrilling melodies, his trademark, but also some of the finest
ghazals and classical songs . I agree with what another listener said above
about the mujra ghazals in Kalpana: They will remain among the most
memorable ones in that genre.