naina naina naina
ranjishe sahi, ranjishe sahi
dil dukhane ke liye aa, ranjishe sahi
dil dukhane ke liye aa
aa phir se mujhe chhod ke jane ke liye aa
aa phir se mujhe chhod ke jane ke liye aa
ranjishe sahi
dil dukhane ke liye aa, ranjishe sahi
kuch to mere dildaar mohabbat ka bhram rakh
kuch to mere dildaar mohabbat ka bhram rakh
kuch to mere dildaar mohabbat ka bhram rakh
tu bhi to kabhi mujhko manane ke liye aa
tu bhi to kabhi mujhko manane ke liye aa
ranjishe sahi
dil dukhane ke liye aa, ranjishe sahi
jaise tumhe aate hai, na aane ke bahane
aa aane ke bahane, na aane ke bahane
bahane, bahane, bahane
na aane ke bahane
na na na aane ke bahane
jaise tumhe aate hai, na aane ke bahane
jaise tumhe aate hai, na aane ke bahane
aise hi kisi roj na jaane ke liye aa
aise hi kisi roj na jaane ke liye aa
ranjishe sahi
dil dukhane ke liye aa, ranjishe sahi
dil dukhane ke liye aa, ranjishe sahi
What a waste of a performance. The song is sung by a love-stung Aashiq who
is lamenting the absence of this lover. He/she is pleading the lover to be
besides her. There's more than a twinge of sorrow to this song. The
composers changed the whole tune as if this is a love song where 2 lovers
are celebrating their "Milan". Experimentation and all is fine but that
should not be at the expense of the meaning/pathos of the song