aa
sa re ga re sa ni, tinak tin taani
ga re ma ga re sa ni, tinak tin taani
pa pa ma ma ga ga ma, ma ma ga ga re re ga
ga ga re re sa sa ni, tinak tin taani
tinak tin taani, do din ki zidagaani
tinak tin taani
tinak tin taani, do din ki zidagaani
tinak tin taani, do din ki zidagaani
log kahe ye baag hai phulaa,
log kahe ye baag hai phulaa
phulaa, phulaa, phu phu phu phu phu
log kahe ye baag hai phulaa,
log kahe ye baag hai phulaa
aa, log kahe ye baag hai phulaa,
man bhanwaraa kaliyo me bhulaa
man bhanwaraa kaliyo me bhulaa
saadhu kahe murajhaani
saadhu kahe murajhaani
do din ki zidagaani
ga re ma ga re sa ni
tinak tin taani
pa pa ma ma ga ga ma, ma ma ga ga re re ga
ga ga re re sa sa ni
tinak tin taani
tinak tin taani, do din ki zidagaani
log kahe ye jag hai melaa
log kahe ye jag hai melaa
me me me me me me me melaa
laa me laa me laa
melaa melaa me me me me me me me
laa laa melaa melaa melaa
log kahe ye jag hai melaa
aa
log kahe ye jag hai melaa
koi rahe kyun isame akelaa
koi rahe kyun isame akelaa
saadhu kahe aanaa-jaani
saadhu kahe aanaa-jaani
do din ki zidagaani
ga re ma ga re sa ni
tinak tin taani
pa pa ma ma ga ga ma, ma ma ga ga re re ga
ga ga re re sa sa ni
tinak tin taani
tinak tin taani, do din ki zidagaani
la saragam
do din ki zidagaani
tinak tin taani
tinak tin taani, do din ki zidagaani
Actress to the right of Rehana singing with sitar is Paro. She hailed from Mairuth and was called "Mairuth ki Qainchi" ( Scissors of Meerut) in Bombay film studios in mid-1940s due to her sweet talk and refined mannerism learned as a mujra dancer in Mairuth. One evening she invited Ashok Kumar to her apartment near Shivaji Park and tried to seduce him. He rejected her advances and as he left she said,"Ashok bhaiya, I was just testing you. Ashok sahib I consider you as my elder brother".